Gladiator (2000)

When a Roman general is betrayed and his family murdered by an emperor's corrupt son, he comes to Rome as a gladiator to seek revenge.

Director: Ridley Scott
Writers: David Franzoni (story), David Franzoni (screenplay), 2 more credits
Stars: Russell Crowe, Joaquin Phoenix, Connie Nielsen | See full cast and crew

Storyline

Maximus is a powerful Roman general, loved by the people and the aging Emperor, Marcus Aurelius. Before his death, the Emperor chooses Maximus to be his heir over his own son, Commodus, and a power struggle leaves Maximus and his family condemned to death. The powerful general is unable to save his family, and his loss of will allows him to get captured and put into the Gladiator games until he dies. The only desire that fuels him now is the chance to rise to the top so that he will be able to look into the eyes of the man who will feel his revenge.

Movie Reviews

Cecil B DeMille eat your heart out
2 May 2000 | by Paul (paulyb) (Australia) – See all my reviews
The epic blockbuster returns with the 21st Century's answer to Cecil B DeMille, Ridley Scott and his dramatic tale of courage and revenge, GLADIATOR - "the general who became a slave, the slave who became a gladiator, the gladiator who defied an emperor".

Once a great roman General, and as good as adopted son of Marcus Aurelius Caesar (Harris), Maximus (Crowe) is forced into exile by Commodus (Phoenix), heir to the throne, after the death of Marcus. Saved from death by slavers, he is purchased for use as a gladiator by Proximo (Reed) and ends up in the arena of all arena's, the Colloseum, where he proves unbeatable under his guise as "The Spaniard".

And with a budget of over $100m, Scott certainly delivers the goods. GLADIATOR transcends the notion of 'blockbuster' that we have become accustomed to in the age of electronic and special effects wizardry and instead offers a good old fashioned action film along the lines of Spartacus and and Ben Hur. Not only are we drawn into an archetypal story that contains all the classic elements a filmgoer could dream of (love, loss, courage, despair, good triumphing over evil etc etc) - also on offer is a visual feast of cinematic painting after painting - a rich tapestry of images that are breathtaking and ultimately visually satisfying. From the plains of Germania, to the desert stronghold of Zuchobar, and finally to great Rome herself, John Mathiesion, the cinematographer is to be commended highly for his general inventiveness and ability to capture so much on film. The opening battle scene is superb as a cast of thousands erupt across the screen and provide an indication that we are about to see a film that pays incredible attention to detail throughout its entirety. In every way, Scott has created a world for us that scuttles films of similar epic undertakings (and budgets!) and sends them to their dooms at the bottom of the murky depths of film history where they belong.

The cast is generally very strong. Crowe proves himself very suitable to the task with a great emotional range and depth of character. His accent ocassionally bugged me (as did the mish mash of accents on offer - but that is I guess a legacy of 'internationally casted films'), but this aside, he was well and truly up to the task. Phoenix is also excellent as the disturbed Commodus, as is Nielson as Lucilla, the daughter of Marcus who "should have been a son" and finds herself torn between loyalty to her brother and doing what is 'right'. The old guard thesps of Harris, Reed and Jacobi (Grachus) are uniformly strong as supporting characters, and Spencer Treat Clark (Lucius) does a fine job as the young heir to the throne.

Add to this great cast excellent editing and post production work, and an intricate soundscape (including a magnificent Hans Zimmer score), and you have a film that, despite its length, was highly palatable and had me in there from beginning to end. A must see.

The Lion King (1994)

Reviews: 616 user | 184 critic | 14 from Metacritic.com
Lion cub and future king Simba searches for his identity. His eagerness to please others and penchant for testing his boundaries sometimes gets him into trouble.

Directors: Roger Allers, Rob Minkoff
Writers: Irene Mecchi (screenplay), Jonathan Roberts (screenplay),
Stars: Matthew Broderick, Jeremy Irons, James Earl Jones |

Storyline

A young lion Prince is cast out of his pride by his cruel uncle, who claims he killed his father. While the uncle rules with an iron fist, the prince grows up beyond the savannah, living by a philosophy: No worries for the rest of your days. But when his past comes to haunt him, the young Prince must decide his fate: will he remain an outcast, or face his demons and become what he needs to be?
Movie Reviews

Released Christmas Day in 2002 to IMAX and large format screens, The Lion King makes a triumphant return to the screen after eight years. Its every bit as majestic and great as it has been before.

The Lion King Mufasa (James Earl Jones) just had a baby cub named Simba. All of the animals come to the ceremony, except for Mufasa's brother Scar (Jeremy Irons). Scar desperately wants to be King, but can't. As long as Mufasa and Simba are there. Soon Simba is able to walk and talk and is voiced by Jonathon Taylor Thomas. After hearing about an elephant graveyard from Scar, he and his friend Nala (Niketa Calame) visit it. They meet three bumbling hyenas: Banzai (Cheech Marin), Shenzi (Whoopi Goldberg), and Ed (Jim Cummings), but they manage to leave unhurt. Scar is upset that the hyenas didn't do the job, so he orders a stampede to wipe out both of them, but it only takes care of Mufasa. Scar convinces Simba that he killed Mufasa, not Scar. So Simba flees into exile.

The Lion King really benefits from the larger screen. Its lavish landscapes will be able to capture you more, and you can really savor the animation. Disney didn't need any humans, so they could spend all of the time on a great story and lush landscapes. In fact, its camera movement was so majestic that you actually felt like you were part of the pride of lions.

The music boomed and really created the atmosphere. Although I had seen this picture before, I still was tense because of the way the music played out. Most of the time, I would just roll my eyes at the attempt to make me nervous. But Hans Zimmer's music really bowled me over and made my heart do calisthenics. Unlike such new Disney pics like Lilo and Stitch, the songs actually did some good. They took you out of a somewhat dreary mood and put a smile on your face and made your feet want to tap along. There were only a few, but they were very entertaining. And the Circle of Life song at the beginning was beautiful, with its perfect pictures and perfect sound.

I really like James Earl Jones (he's pretty diverse), and this time was no exception. He seemed to act like he didn't want to do this role, but he couldn't contain his excitement for wanting to do voice-overs again (he had done some work in The Simpsons before). Matthew Broderick redeemed himself for me (after the atrocious Ferris Bueller's Day Off) by showing a strong voicing as the adult Simba. Cheech Marin, Whoopi Goldberg, and Jim Cummings really had good chemistry together, even though they didn't have much screen time. Irons was really good and creepy as Scar (one of those who you can't help but hate), and if that is him really singing, brava!

Be warned, The Lion King isn't really for youngsters. It had intense thematic elements that should have warranted a PG, instead of those that don't deserve it (Lilo and Stitch, again). The mood that the music and the script brought out could damper your day, so be warned.

This is one movie where you can feel for the characters. You don't say `haha, he's dead', you say `Gasp! I'm so sad!' If it weren't for the gifted scriptwriters, this movie would be kaput and a nothing, not the best Disney movie ever made.